2010 Film & Video Production Workshop
The Perfect Workshop at a Perfect
Time
Asian American producer discovers a community of progressive filmmakers of color at TWN’s Film & Video Production Workshop.
After
graduating from college, Philippine independent filmmaker Corinne Manabat
worked for a talk show, then an online advertising company and in her spare
time did freelance production work.
"Around the
time I applied for the workshop I was a freelance production assistant and
realized I was disposable." says Corinne. She wanted to work in
production and learn but wanted to do it part-time. She applied to Third
World Newsreel's Film & Video Production Workshop.
The Production Workshop
emphasizes on the training and support of people of color who have limited
resources and access to mainstream educational institutions and traditional
training programs within the film/video industry.
Corinne learned about TWN's Production Workshop through one of its former
students. "My cousin who's an actor and who took the production
workshop a couple of years before me was like; "This would be a great
thing for you. If you apply for it you get to do production work on your
own project with a group of people." So I was like; "it's better than
not doing any production work at all."
Corinne was accepted in the Production Workshop and immediately started working
on her project. The curriculum of this
intensive 6 month program focuses on the pre-production, production and post
production skills necessary to take a short project from conception to
completion. "It was a big
turning point." says Corinne. "I needed that bigger boost and
Third World Newsreel helped me in that sense. I was looking for a
community within the industry and I felt like this was the place to find
it." While working in the industry she did not run into a lot of
people of color and the few that she met were not progressive thinkers.
"That was even harder to find in this business. This was also during
a time when I was organizing and doing a lot of political work amongst the
Philippino community in NYC."
During the
workshop Corinne produced Excuse My Gangsta Ways which has been screened
at the Museum of Modern Art in New York City and in film festivals in San
Francisco, Los Angeles, San Diego and Washington, DC. This short
documentary on Davina Wan, a Chinese American woman, who was a former gang
member from the Lower East Side has become a very popular film in the Asian
film festival community. Hyphen Magazine Blog called it' "One of the best
short films. Definitely worth watching."
Herman Lew, the Workshop Director, is the main instructor of the workshop. "I learned a lot
from him.” Says Corinne; “You were so confident about your idea and in 5 seconds
Herman would pose questions and taught you how to think outside of the
box. He was really good at showing, in a simplified way, how to do editing and
camera work. He was genuinely invested in your projects. It was cool to
see a person of color in the business, sharing the technique."
Cinematographer Herman Lew is the Director of the B.F.A. Film & Video Program
at the City College of New York. When reviewing the applications, Herman
looks for realists and
dreamers who have a desire to create socially progressive media. Herman says; “Product is important and vital,
but it’s the process that students go through in the workshop that is even more
valuable.” According to Herman
technology and hardware available in production and post-production has changed
but the eyes, heart and soul of a story, its purpose, doesn’t change regardless
of how it is recorded or edited.
One of the aspects
Corinne appreciated the most about the
workshop was the access she had to equipment and fellow filmmakers. Her advice to new students is to take
advantage of this access. “Don’t sit
back and relax. You were good enough to
be a part of the workshop now you got to do the work.” Many former workshop participants work in
film, video and the media arts, including Academy Award nominee ReneeTajima
Peña and Jamal Joseph.
The Production Workshop begins in early February and
meets every Thursday at 6:30 pm in the offices of TWN. The workshop
is time intensive and participants must be able to attend regular class
meetings as well as meet the out-of-class demands of pre- production,
production, and post-production. The
selection to the Production Workshop is limited to 9
participants. An initial written application is required and a second round of
applicants are selected for interviews. The cost of the 2009 workshop will be $600.
For more information please visit www.twn.org.

