NAMAC's Executive Director, Jack Walsh, and Policy Strategist, Belinda Rawlins, came together from their respective west and east coast offices to attend Arts Advocacy Day 2012 in Washington, DC.

Betty YuPreserving community media outlets like Community Access TV is an important part of our media justice movement.  These centers are unique spaces where community members can come together to build, to connect, to become media literate and create stories on their own terms.  Localism is one fundamental principle of PEG,  tens of thousands of hours of local content are being produced by stations on a weekly basis. 

Rachel Allen

The California Community Media Exchange (CACMX) – an innovative partnership between seven California Community Media centers – has just completed a website, which is just one of many projects they’ve been working over the past year. The CACMX first met in August 2010 with the goal of holding four in-person meetings to share best practices and come up with different ways to work together.

Rachel Allen

"If community radio geeks could have a holiday, it would certainly be celebrated with a barnraising."

NAMAC members weigh in on the best and worst of 2009: from work ethic to public media, web 2.0 projects to local organizing efforts. 

Hear from Julia Kirt of the Oklahoma Visual Arts Coalition on the 10 Worst Artist Excuses for Turning Proposals or Artwork in Late, read up on the top 10 download folder items that Belinda Rawlins of the Transmission Project keeps coming back to, and check out Patty Zimmerman's list of the best international multi-platform Web 2.0 projects of 2009.  

jesikah maria ross

Community media work has always been hard to fund, and it’s only getting tougher with today’s economy. Meanwhile, universities are looking for creative ways to reach out to the communities that surround them and have the resources to do it. As a media artist/educator living in a university town, it occurred to me that I could design the kind of participatory, social change oriented media projects I’m passionate about in a way that meets the university’s needs. So I put these puzzle pieces together and over the past two years developed the Art of Regional Change (ARC) at the University of California Davis, 15 miles west of Sacramento.

Kate Lorenz

Connecting with people has never been easier than it is today. Thanks to technology and social networking, we are literally able to get up-to-the-second updates about the comings and goings of hundreds of “friends” near and far. This is powerful and exciting. Yet it seems as visual arts administrators, we’ve got so much to do and so little time to do it that we are rarely able to meaningfully connect with each other. This summer, however, I had the chance to “disconnect” from status updates and text messages and connect with an impressive group of arts professionals at the 2009 NAMAC Leadership Institute for Visual Arts Organizations.

Ted Hope

The time is now. If we don't fully own the absolute necessity to change how we've all been working, we won't be working -- and we won't have the illuminating, inspiring, transforming films that we now enjoy. It's your choice, but action is required.

There is the capacity for many more of us to create and prosper from creative media work. This capacity can also close up and vanish along with our audiences. The canaries are now the size of Big Birds and we somehow are able to ignore them (but that is a subject for a different posts).

NAMAC
On August 26-29, a broad array of arts administrators, media producers, scholars, social media gurus, advocates and artists will gather in Boston for CommonWealth, the 2009 edition of NAMAC’s biennial national event.
Yolanda Hippensteele
Over a year ago, when NAMAC chose Boston as the location for its 2009 biennial conference and chose “commonwealth” as its theme, nobody involved knew how important this convening would become.